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“How do digital artists take drawings from pencil to fully-colored images?” I’m always wondering this. In every digital art project, I’m looking for a breakthrough, and even if I flip through magazines and tutorials on the subject, the best way to learn is to practice.

This was the first image I colored without converting the inks to vectors. I deleted the negative space, going in as far as pixel by pixel, and darkened the inks with some level adjustments.

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I created a separate layer and colored it as the base color.Maybe it’s just habit from painting, but putting down a bright base color makes the other colors brighter, especially if the colors are placed using around 80 percent opacity. In this project, I used a bright orange-yellow that would lend itself to dark and light colors.

rs-summer-cover-baseI made different layers for each color, usually starting with the medium color followed by the dark colors and highlights.

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What do you do to digitally color images? I really like to get constructive feedback and how I can improve my art!

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My story began with a search inside the famous Google, its grey strip begging me to ask my question, to give it a task. I did so with two words: “Frankenstein manga.” What was to follow only betrayed my expectations. I found fewer than 10 titles–only 6 titles–that involved the moody fictional character, Dr. Victor Frankenstein, and the monster he created now called Frankenstein. From these 6 measly titles, I thought half of them would be in English being that Mary Shelley’s Frankenstein was in English, and so, many Western readers would also enjoy them in their origins’ native language. To my dismay, all 6 Frankenstein titles were unlicensed manga. “How could I ever wish to write about these without guiding readers to scanlations and pirated websites?” Of course, I found no answer waiting at my fingertips.

“How could these manga creators do this to me, to other faithful followers?” I complained, but a thought struck me as devastatingly as lightning. Manga creators simply make the stories, not publish and translate them into other languages. Editors, letterers, and translators only followed their duties. So who, if anyone, could be to blame for allowing these 6 titles to remain on the lab table, only to be viewed by 125 million Japanese speakers when there are 360 million English speakers? Surely readers can’t be to blame. Complaints aside, I felt that manga lovers were done a great injustice when titles that have been poked, prodded, and even robbed by many go unnoticed by manga publishers.

I am certain many people have looked for Franken Fran, Embalming: Another Tale of Frankenstein, Noblesse, Frankenstein, Mondlicht: Tsuki no Tsubasa, and Wagatomo Frankenstein in the darker realms of the internet. Even I, an advocate of licensed manga and a resident within the Japanese language, have ventured there for such reasons. But I must say, when sub-par titles about vampires, werewolves, demons, and zombies are tramping through English bookshelves while these little bolts of genius float in obscurity, it makes me ponder, “Can I not go forward and talk about these unlicensed manga?”

“‘Live, and be happy, and make others so,'” Justine Mortiz in a dying whisper.

The first of the Frankenstein children to stay in Japan’s lab is Wagatomo Frankenstein. Born in 1972 in Shueisha, Wagatomo Frankenstein is an elusive child. Even in the smokiest alleys of the cyber world, its real story is hidden from English speakers, thus we move to its  siblings.

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Wagatomo Frankenstein‘s sisters, Franken Fran (fathered by Kigitsu Katsuhisa) and Mondlicht: Tsuki no Tsubasa (fathered by Juichi Iogi), are still housed under Akita Shoten’s label, but they have gained a cult outside their imprisonments. Franken Fran uses a female version of Frankenstein to grant the wishes of hapless humans in rather unwishful, Pet Shop of Horrors ways. The junior of the sisters, Mondlicht: Tsuki no Tsubasa, bears little resemblance to Mark Shelley’s Frankenstein–it’s simply a battle waged between lonesome vampires and Dr. Frankenstein’s monsters who take the form of pretty schoolgirls.

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Along with Franken Fran and Mondlicht, three brothers have joined the Frankenstein manga family. Similar to most human families, the eldest brother takes its name from the father: Frankenstein. Despite being younger than Wagatomo Frankenstein, Junji Ito’s creation is the closest to their mother’s children, Dr. Victor Frankenstein and his monster’s awakening. The second brother, Embalming: Another Tale of Frankenstein, comes from the 2007 Jump SQ generation, born from Rurouni Kenshin creator, Nobuhiro Watsuki. If Dr. Frankenstein truly lived and he assembled his grotesque monsters, Embalming shows how these undead beings run amuck in Europe 150 years after Dr. Frankenstein’s original creation.

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I must say, though the baby of the brothers is a Korean webcomic, it mimics its elder siblings, right down to the typical high school premise. Noblesse from Son Jae-Ho has Frankenstein, a devoted scientist who follows a vampire lord, operating a prestigious academy. Though this Frankenstein offspring has his scientist father’s brain, its history is completely warped. He has made himself into a monster and granted himself immortality in completely following his master’s wishes.

However much I seem to know about these 6 titles, I have yet to read their copies within legitimate terms. I had hoped that several publishers would need these titles in English to appease the cults who follow them. With my confession now in front of the whole world, I can find solace. I and these manga creators have re-told Mary Shelley’s story. I hope English manga publishers would like to hear them.

On the road to somewhere

Don’t know where yet…

Jd Banks:

This is the funniest thing I’ve heard this week.

Originally posted on pundit from another planet:

BOOB-AID

 Japanese porn stars to have boobs squeezed for AIDS research

A Group of Japanese porn actresses are preparing to have their breasts squeezed by fans for 24 hours this weekend for a charity event loosely translated as “Boob Aid”

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“But I would be very happy if you would please be delicate.”

The nine adult movie stars told local media on Monday they could barely contain their excitement about the “Stop! AIDS” campaign event — which will be televised live — but asked, perhaps somewhat optimistically: please be gentle.

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“I’m really looking forward to lots of people fondling my boobs,” Rina Serina told Tokyo Sports.

The event, the 12th since its launch in 2003, will be broadcast on adult cable television, with punters donating to the anti-AIDS campaign in exchange for a feel.

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It comes after sexist heckling of a Tokyo assemblywoman hit the headlines, highlighting old-fashioned views towards…

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Godzilla

I watched the new Godzilla movie.

It gets Razzie of the Year in my book.

  • Unused talent: Ken Watanabe and Bryan Cranston do not work together. It’s not even a Bryan Cranston movie.
  • One-dimensional actor takes the boring lead: Aaron Taylor-Johnson keeps looking at the camera, adding to his unconvincing role as Bryan Cranston’s military son.
  • Too many kids: This is not a family movie! When did throwing kids into the mix equal “human element”? True Lies, Indiana Jones and The Temple of Doom, and Back to the Future had kids in them, but they actually served some role other than “Let’s make this a family movie.”
  • Gun/nuclear-happy Americans: I would have to say that this pro-military movie portrays Americans’ top specialty–using their guns first and coming up with sound answers later.
  • Horrible villain monsters: In the Godzilla franchise, there are tons of interesting and badass monsters to choose from. I would’ve gone with King Shisa (I’m impartial to the Okinawan shisa) or King Gydra (the Hydra).

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    Picture from the best Godzilla books ever in Japan, ゴジラ人間 series, printed in 1984 by Shogakukan Publishing.

  • Friendly Godzilla: When was Godzilla on our side? OK, so he crushed a few buildings, but he’s nothing like the Godzilla from the past franchise.
  • Movie should’ve ended in the beginning: If you’re a foreign who gets arrested in Japan, unless you’re married to a Japanese person, you’ll get deported, not sent back to your apartment. Godzilla would’ve easily ended in the first 20 minutes of the movie.
  • Japanese people don’t speak English: Sorry, English teachers, but I know this as an English teacher here in Japan. Few Japanese people speak English, especially fluent English, and most freak out when they see a foreigner, even if it’s in a convenience store.
  • Japanese people don’t take orders from Americans: How many foreign executives have you seen in Japan?

I started watching the 1998 Godzilla: The Series TV show just to wash the taste out of my mouth.

 

Big Hero 6 Manga

This is a first: before Disney’s Big Hero 6 release, Disney is releasing the manga for free through Amazon.co.jp, Boollive!, and Yahoo! Bookstores etc. from August 20th (limited time only). You can read the manga in Japanese here.

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Happy Women’s Equality Day!

Women’s equality in Japan has come a way–not so long, not so short–but Japanese women are still seen as servants in and outside of Japan.

You can see the inequality by how many women are in various areas of Japanese life. In politics, less than 30 percent of the Diet has female politicians, and only 2 out of 18 people on Prime Minister Abe’s cabinet are women. In business, only 1 percent of senior executives are women and the gender wage gap is around 28 percent. Even in daily life, women’s inequality is visible.

Living in Japan, I’ve seen many Japanese women who work full-time and still make 3 meals a day for their children and husbands as well as care for the elderly. Some people could say that lunch, cleaning, and familial duties are signs of love for women.  “OK, carry this human for 9 months, give birth, clean up, wake up, and raise that child into adulthood, make meals for the child and husband for 30 years, and work the same hours for only 72 percent of the pay.” Does that sound like love? It sounds like servitude. I’m not saying that women shouldn’t cook, clean, or take care of their families. I’m saying that there are other able-bodied persons in a family who can share the duties. Besides, learning how to cook, clean, and take care of others are skills every person should have to live–everybody eats.

Outside of Japan, the stereotype is Japanese women are subservient. When it comes down to Japanese women marrying non-Japanese men, that stereotype is untrue. Why do you think most single, average-looking foreign men who come to Japan marry beautiful Japanese wives? Many Japanese girls and women think foreign men will cook, clean, and take care of the family. Where this idea came from I’m not sure (my money’s on Hollywood). Even my students say to me, “I want to marry a foreigner.” The funny things is the illusion of subservient Japanese women helps Japanese women marry foreigners. Once the curtain falls away, most foreign men realize that Japanese women aren’t as mousy as they thought.

I may be against the way Japanese women are seen, but I greatly respect Japanese women. They raise their families, take care of their bodies, and help each other when help is needed. Even though I don’t have kids, as a married woman, I’m suddenly part of a community of women who trade recipes, talk about their problems, and go walking together. These women are responsible for fostering children’s imaginations while filling their tummies with nutritious foods. It’s better than some women who substitute healthy cooking with cheap blood-clotting burgers, have 3 to 5 children from different fathers, and can’t take care of their physical, mental, emotional, or financial well being. In this way, irresponsible women have a long way to go.

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Jd Banks:

Awesome!

Originally posted on thenerdsofcolor:

For the last several days, the award-winning graphic novelist MariNaomi has taken to social media to solicit names for a database of cartoonists of color she is currently assembling. And now you can help by adding your name to the list!

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